Teaching Presentation Skills

Before I started in my current job, I’d taught a presentation course for two years when I was part time at one university, and also as parts of courses at two others. Everyone thinks that they know about presentations because everyone has seen presentations. That is like saying everyone knows how to teach because they have been to school, or everyone knows how to drive because they’ve been in a car or bus.

Ink drawing of a schoolgirl standing on a dead woodlouse monster.
One of my slides I used in the course.

Teaching Presentation Skills this Spring semester was one of the most successful courses I’ve ever taught. It was a mixture of in-person and in-class, and every in-class session was hybrid because there were some international students that couldn’t get landing permission due to COVID restrictions.

This being Japan-based, a lot of the teaching centred on design, both of posters and of slides. Japan is famed for its amazing graphic design. Sadly, this does not usually translate to amazing slides, in my experience. Also, most posters I have ever seen have necessitated getting up close and squinting. My eyesight is bad enough to need glasses but it’s still not dreadful; the fact is that a lot of posters are journal articles or essays in disguise.

So, the design message could have been ‘be minimal’. However, it wasn’t. Mostly it was, ‘Not everything that comes out of your mouth needs to be on screen/on your poster.’

Also, because these were university students, mainly in their first year, there also needed to be a lot of ‘Please do not read a script because it sounds dreadful. Know your material well enough to talk about it like a human. There is a great quote by EL Doctorow (in Lamott, 1995) about driving with car headlights and that you can’t see everything but you can see enough to find your way.

I also used some of the principles in Nancy Duarte’s books Resonate (2010) and Slide:ology (2008), as well as Garr Reynolds’ (2007) Presentation Zen. Basically, practice, think about why people communicate and what you want to see/hear when you watch a presentation, and how to make a persuasive call to action.

Largely, the design elements went incredibly well and some of the elements of good slide design made it across to work in other courses I taught to some of the same students, which is always good to see. However, with concentration on the what was being said, I noticed that for some students there was not enough ‘oomph’ in how they said it.

At the time I was reading English after RP by Geoff Lindsey, and it gave me an idea about intonation, especially in our international, Global Englishes (Rose & Galloway, 2018)/ELF (Jenkins, 1998) setting. If the pronunciation is clear, all well and good, but people need to hear the important parts, and follow along. With unpredictable rhythm, that has no reason other than memory blocks, people watching (i.e. other students) will have difficulty and stop paying attention, but by following a ‘normal’ rhythm, using stresses and feet, it is easier to get that polished feel in their presentations. This bit seemed to be most popular with the students, even if I felt a bit daft, clapping a metronomic beat as they mumbled their speeches to find the stresses.

With posters using the Better Posters template (Morrison, 2019) in Google Slides to work with a partner, and group presentations using Google Slides, some students were saying “Why can’t we use Canva?” and I explained that Google Slides is better for version control when collaborating. The final presentation was a solo presentation and could be given with any software they liked. Lots chose Canva, some Powerpoint, some Google Slides. All were at least OK and some were truly amazing.

I’m still going to tweak the course, by probably including an abstract submission as part of assessment, and connection to the abstract in order to reduce students rushing in the early hours instead of brainstorming early on in the process. If I can make it just as enjoyable and rewarding next time around I will be happy. And I know this sounds like a brag, but when you have successes (and creating the opportunities for students to shine is a success) you celebrate them.

References

Duarte, N. (2008) Slide:ology: The art and science of creating great presentations. Wiley

Duarte, N. (2010) Resonate: Present Visual stories that transform audiences. Wiley.

Jenkins, J. (2012). English as a Lingua Franca from the classroom to the classroom. ELT Journal, 66(4), 486–494. https://doi.org/10.1093/elt/ccs040

Lamott, A. (1995) Bird by bird: Advice on writing and life. Anchor.

Lindsey, G. (2019) English After RP: Standard British Pronunciation Today. Palgrave.

Morrison, M. A. (2019, May 8). #betterposter. Retrieved from osf.io/ef53g

Reynolds, G. (2007) Presentation Zen. New Riders.

Rose, H., & Galloway, N. (2019). Global Englishes for language teaching. Cambridge University Press.

Practical Magic: 1

Student-led Syllabus Shake-up

Hi. It has been ages. So long I dare not check. Today, I have something to report, and this is, I think, the first post about my new job.

A photo of my office, complete with bare bookshelves!

Today my students were giving presentations based on a discussion task from last week: design your dream university course that covers 15 weeks. Being honest, this was busy work that gave students something meaningful to work on while I assessed paired conversations. What I got was so much more than I had expected.

Students overwhelmingly wanted practical courses. Learning about things is fine as long as they get to learn to do those things, too. Sports business, filmmaking and media production were mentioned more than once. My students are on an interdisciplinary course, Global Innovation Studies, so this is not surprising but how specific they were about high-quality finished products to show learning was interesting.

Small group instruction was appealing, too. My students are generally in classes of 23. This is pretty small considering the average high school class size here of around 40. “We like the size of breakout rooms”, they said, so more microteaching plays a part in my future.

I have already created my syllabi for classes up to the end of January. However, all the syllabi have the disclaimer that the syllabus is subject to change based on teaching and learning needs. What I need to do is see whether I can match the EAP needs with these other practical needs without a hodgepodge that serves nobody, and that doesn’t lead to ridiculous amounts of work from me or my students.

It is realistic, considering I teach one group for 9 hours a week. Blogging is certainly possible with my writing class, and to an extent with my reading class, if we look at genre and ICT literacy a bit more. There is already some podcasting planned, and if anyone wants to make the transition from Flipgrid auteur, to nascent YouTuber, then I am keen to help. There may even be a bit of time for some extracurricular work.

Expect to find out more as I blog about how all this pans out.

The ongoing mentoring experiment experience

A couple of months ago I put out a call on Twitter to say that I was interested in mentoring teachers who thought they might benefit from it. To be utterly transparent, I was interested in the conversation between a less/differently experienced teacher and me, the grizzled journeyman. I was not disappointed.

A whiteboard with several clarification questions written on it.

I won’t say my mentee’s name here, but I will say that they are far too modest about their experience and knowledge. They have a first degree in TESOL and unlike arrogant/ignorant younger me who thought teaching in a foreign country would be a lark and finance my novel writing, they are volunteering to build experience before seeking paid work. And still they want to get better at what they do.

So far we have chatted about giving learners more responsibility and taking a bit more agency in selecting what parts of the class materials are used, not used, and how this can still be cohesive and assure student parents and managers of the organizational that everything is educationally sound.

We have also wondered about online teaching of older children and teens and how to engage them more than just going through the motions, which is probably quite a lot more complex than it seems.

Anyhow, I look forward to our next meeting and email. I get the chance to reflect about things that I haven’t really considered at a deep level for some time. Hopefully I have shown a bit of a possible route ahead.

Pronunciation Resource Roundup Thing

Thanks to @ClareBurkeELT for suggesting this might be a useful post.

ugly man with a beard pronuncing the /a/ sound, with badly drawn IPA symbol overlaid.

ELF Pron: https://elfpron.wordpress.com/ – a really useful blog about English as a Lingua Franca and pronunciation.

Pron Bites: http://pronunciationbites.blogspot.com/ – Marina’s blog is full of good stuff!

Pron SIG: website https://pronsig.iatefl.org/ – The Pronunciation SIG of IATEFL.

Richard Cauldwell’s Speech in Action: https://www.speechinaction.org/ Lots about pronunciation, more about listening.

Hancock Mcdonald website: http://hancockmcdonald.com/ Home of the best IPA chart for teachers and learners, in my opinion.

Seeing Speech: https://www.seeingspeech.ac.uk/ipa-charts/ Does what it says. Click an IPA chart symbol and see an ultrasound or MRI video with sound.

And here’s a word from me below to demonstrate how I might demonstrate stress in tone units.

Other pronunciation posts from me.

If you have anything else you think I’ve missed, that’s what the comments are for.

Structuring Task Stages for Students – Resource

These sheets are both two-page PDFs that I have used to help students structure task-based lesson stages, especially the courses detailed in my series of posts on my role-playing game-structured courses. I also used transcription as homework as per York’s (2019) Kotoba Rollers framework.

Basically, there is planning, doing, and reflecting. The sheet shouldn’t be used in the doing stage. After the reflection, the review sheet can be used a few weeks later (I used three reviews in a 14 or 15 week course).

References

York, J. (2019). “Kotoba Rollers” walkthrough: Board games, TBLT, and player progression in a university EFL classroom

Radical Pedagogy Reading Group: Freire, P. (2000) Pedagogy of the Oppressed. Penguin.

A picture of Godzilla

With people from Mastodon, I have joined a Radical Pedagogy reading group. It’s an area that I’ve got gaps in my knowledge about, despite my education in a post-structuralist, Marxist-sympathetic BA Film and Media programme.

Freire is somebody that I’d read bits by, and I had read bits from Pedagogy of the Oppressed before, but never the whole lot. So, time to put that right.

One of the main impressions that the book left me with were:

  • This doesn’t even nearly go far enough! It seems a bit weak to be saying ‘listen to the people and learn from them’. Maybe it’s not so radical nowadays. Maybe I am too experienced now? Is reading The Pedagogy of the Oppressed for the first time after teaching for 17 years like reading The Catcher in the Rye for the first time at 40 years old? (Thanks Maloki!)
  • How patrician is this? At points he makes the right noises about being at one with the workers and then at other points sounds fairly outside looking in.
  • Quoting Mao, Castro and Guevara. In the 1970s. I can possibly accept that the full horrors of the Cuban regime might not have come to light. However, Maoism caused the displacement of loads of Chinese people fleeing the so-called Cultural Revolution.

That said, there are some good bits. Like this:

“No pedagogy which is truly liberating can remain distant from the oppressed by treating them as unfortunates and by presenting for their emulation models from among the oppressors. The oppressed must be their own example in the struggle for their redemption.”

(p. 54)

But it gets marred a bit by some of the patrician tone which rears up in Chapters 3 and 4.

The way that people can make quite poor choices in their learning also comes up.

“at a certain point in their existential experience the oppressed feel an irresistible attraction towards the oppressors and their way of life. Sharing this way of life becomes an overpowering aspiration.”

(p. 62)

I think this echoes a lot of what happens with native-speakerism and native-speaker framing.

“Problem-posing education is revolutionary futurity. Hence it is prophetic (and, as such, hopeful).”

(p.84)

Contrast with the whole ‘we are preparing our children for the 65% of jobs that do not exist yet’ palaver. Is Freire’s futurity one that we predict assuredly, or one we gamble upon? I believe it requires information from learners, stakeholders and circumstances/context, to make a reasonable prediction.

And a paragraph that made me just think ‘this is commercial ELT all over’ was:

“For cultural invasion to succeed, it is essential that those invaded become convinced of their intrinsic inferiority. Since everything has its opposite, if those who are invaded consider themselves inferior, they must necessarily recognize the superiority of the invaders. The values of the latter thereby become the pattern for the former. The more invasion is accentuated and those invaded are alienated from the spirit of their own culture and from themselves, the more the latter want to be like the invaders: to walk like them, dress like them, talk like them.”

(p. 153)

The whole white-people, implicitly and often even explicitly cis, hetero, middle-class nature of coursebooks and language school marketing materials. I mean, this was being theorised best part of 50 years ago and still it manifests itself! Is an anti-cultural-imperialist ELT a lost cause?

So, I didn’t love the book. It might be a victim of hype, or just hasn’t aged well, or maybe I just have a ‘wrong’ ideology. However, I am looking forward to the next book for the group, whatever it may be.

Teaching Online: Problems & Learnings 1: PowerPoint

For my main job, I use Google Meet for teaching online and a lot of our teacher input is based on using PowerPoint slides. This is not my choice, but it was what was in place and the materials get updated every year from existing materials.

Problem

Sometimes the slideshow ‘jams’ in Google Meet presentations.

Previous solution

Don’t use slideshows, just show each slide and go through manually.

This looks terrible and sometimes there are animations in the slides that really should only be visible after students have talked about the previous point.

What I learned

In PowerPoint 2013 (yes, I know, but why would I pay for PowerPoint when it’s not actually as good as my institutional Google Slides?) you can go to the ribbon menu and select slideshow settings then disable ‘hardware graphic acceleration’.

Picture of the PowerPoint settings menu with Hardware Graphics Acceleration disabled.

You can also check whether your slides have ‘jammed’ by right clicking the slideshow in progress and select ‘show presenter mode’. You would already have selected the open slideshow to present so you don’t actually share presenter mode with your students. You can also open the task bar from speaker mode, or by right clicking in the slideshow again.

Picture of a Powerpoint slide with the right-click menu options.

This is more for me to search how I did this in about three weeks time, but hopefully it will be helpful to you too! I bet the Japanese menus are a bit difficult for some people, but, er, not much I can do.

Assessment Proxies

Illustration of a laptop computer.

I don’t think quiet classes are an unusual problem to have, especially in university settings in Japan. There are usually ways and means to encourage students to interact and communicate in their English Communication courses when we’re face to face.

The problem comes when you are using web conferencing software to teach and are expecting/expected to get some kind of student interaction occurring. I’m not talking about cameras being turned off, here; that’s a different issue, and I kind of understand the reason behind it (the same thinking behind why you wouldn’t invite guests round if your home was unseemly to you). I’m talking about an unwillingness to communicate.

It’s not every student, but a sizeable number of them. They claim to be talking in their breakout groups after the fact, but when they notice I have joined the group, silence falls. Even when I tell them, “I can’t grade you on silence!” nothing much occurs rather than a muttering.

What can I do? I can either grade everyone at an F, which is unpleasant for everyone, or I can do something else. I need some assessment proxies, to show that students have been communicating in English with one another, just not in my presence. Here are some of them:

Record your group discussion task

This was unpopular but not terrible. It also gave me solid evidence (as opposed to disputable, unrecorded performance) about how little or how much students spoke in a task.

Co-written task

I don’t like it, to be frank, because there is less spoken interaction than I would like, and lots of writing, which is beyond the remit of the spoken communication lesson. With a quiet class there tends to be less coming to a consensus involved in group decision making and more devolving decisions to the strongest or keenest student in the group.

Other things that I could do are:

Make a video together

But this is essentially the same as ‘record your task’ but with more room for IT faff and unlikely to result in more English output.

Somebody’s going to say Flipgrid

Why would I ask students to install something on their phone when they can upload work to the LMS or the institutional cloud storage?

Record and transcribe discussion

This could work, but it is a lot of work if the discussion is long. It is also more to mark. However, it does allow for consciousness-raising of students’ own utterances. I have used student task transcription previously with my RPG course.

Produce a podcast or video, ideally for an authentic audience

This is unlikely to be a favourite task, to be honest. Additionally, if it is taken up with no enthusiasm, no authentic audience would want to listen to it, although individual work was done generally well when giving presentations about their favourite architecture.

So, these are some of my assessment proxies (or possible proxies) for interaction while synchronously using voice/video over internet. What are you doing with your quiet classes? Feel free to donate your ideas to me and my three readers!

Accommodating students with ADHD by a teacher with ADHD – IPSEN SIG Newsletter article

I was humming and haa-ing about whether or not to publish this on my blog seeing as it findable by my name. What if it damages my career prospects? Well, I decided, frankly, that if anybody wouldn’t hire me because of my ADHD, well, bugger them.

I sent this to IATEFL IPSEN SIG ages ago and it got published last year and they have just made it publicly available this week. The article started out life as some CPD I did for my current department just before I joined, but fleshed out a bit, and peer edited.

It isn’t very long, and if you need it (you probably do, seeing as us ADHD people are estimated at about 5-15% of the population including as yet undiagnosed people).

Feel free to let me know if it’s useful to you, or if I have made any glaring mistakes.

Download the newsletter (issue 4) here.

Maybe not abject failures, but…

wp-image-2005690471

Well, I have about a million things to do so that explains why I am blogging.

I had my first experience of teaching more than one person at a time online last week. Here are some of my reflections.

  • Students don’t know what to do in the first week of class and that is compounded by a modality of lesson delivery that they are just not used to. This is one the things that causes so much time to be taken up with stuff.
  • Peer review on bits of paper is far easier than using the Moodle module to do it. Could I have done it with Google Docs? Potentially, but that is going to be relatively new to students as well, and they don’t all know one another’s email addresses. Having a Moodle dropbox where it’s just dropping it in and the selection of reviewers and reviewees would be so much easier. Unfortunately, it isn’t quite as user friendly as I had imagined. It’s not useless, but I will have to get more familiar with it.
  • There are still checkboxes and settings in various software to check and it’s something that I need to sort out and be less adrenaline filled and more attentive to.